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2019
2019
Studiomakers Phase 1
Cubitt Artists Exhibition Support, 2007-2019
Ravid Freedman, Hospicing Modernity, 2018
Outset Partners Grants, Cycle I
Creative Land Trust
SHARING PERAMA
Isaac Julien | 'Lessons of the Hour', 2019
Miriam Naeh, Hot.Stone.Massage - Outset Bialik Residency, 2019
Rachel Maclean, 'Spite Your Face' acquisition, 2017
Mahmood Kaiss, New Validity, 2019-2020
Michal Heiman, Radical Link: A New Community of Women, 1855-2020
Mia Gourvitch, Fruits of the Night, 2019
Karen Russo, 2019
Naked Soul: Chaïm Soutine and Israeli Art
Timo Toots, !Memopol-!
HYPERCOMF, POLYCELIUM.NET, 2019-2020
Itamar Gilboa, 'BODY OF WORK', 2019
Monster Chetwynd, Istanbul Biennial 2019, 'The Seventh Continent', 2019
Cloe Jancis, 'Waiting for Eternity', 2019
Mari-Leen Kiipli, 'Fish That Swallows the Earth/Particles That Dance in the Sunrays', 2019
Taavi Suisalu, 'Waiting for the light', 2019
ANGIE KEEFER
JENNIFER TEE AND MELVIN MOTI, 16TH ISTANBUL BIENNIAL
KYPSELIAN SALON
'GROUND ZERO'
MOBILE STORYTELLING PAVILION
FOAM TALENT EXHIBITION, AMSTERDAM, 2019
My Broken Animal
STIRRING THE VITIATED AIR
OUTSET | UNSEEN EXHIBITION FUND, 2019
a.O. - b.c. An audiovisual diary
ENCOUNTER / ENCORE
ARAB FEMINIST FILMS
TechNotech | 2nd Primary school of Tavros
Scotland + Venice 2019
Charles Avery, Istanbul Biennial 2019 ‘The Seventh Continent’
ART LICKS RADIO COMMISSION
JONAS DAHLBERG | (OF) PUBLIC INTEREST
TIFFANY & CO. X OUTSET STUDIOMAKERS PRIZE third cycle
THE ROBSON ORR TENTEN AWARD 2019: TACITA DEAN CBE RA
FORENSIC ARCHITECTURE | VIOLENCE, FAST AND SLOW
VO CURATIONS PRESENTS NOUR EL SALEH ‘EXQUISITE FARCES'
Kate V Robertson, Glasgow Museums, 2019
Siân Robinson Davies, Conversations, 2019
Camille Roded, Shira Turbowicz, THROUGH THE DISPLACEMENT OF DOORS, CHOOSE A DIALOGUE, 2019
Anne Imhof, Sex, 2019
Amelie von Wulffen, Hedwig’s Betrayal, 2019
THE MANUAL OF THE PERFECT TRAVELER
Outset Residency, 2018-2022
3 | Estonian Energies
Dillio Plaza
Swiss Pavilion, 58th La Biennale de Venezia
Garden of Earthly Delights, 2019
Goshka Macuga
THE PLACE IS HERE: The Work of Black Artists in 1980s Britain, 2018-2019
Art Cologne Fund
Bunny Rogers
André Lepecki, Outset Bialik Residency, 2019
HAPPY DAYS
Aya Ben Ron, Field Hospital X, 2019
Tamar Hirschfeld, Neuland, 2019
Alex Mirutziu, Gaining in a State of Debt - Outset Bialik Residency, 2019
Keren Cytter, Sponsored Content - Outset Bialik Residency, 2019
Iris Toualiatou | Overnight
Nivi Alroy, Mariana Trench, 2019
Ella Littwitz, The Elephant in the Room, 2019
Isaac Julien: Lina Bo Bardi – A Marvellous Entanglement
Cathy Wilkes: British Pavilion at the 58th Venice Biennale, 2019
Robert Walser-Sculpture A 'Presence and Production', Thomas Hirschhorn
The Aerodrome – An exhibition dedicated to the memory of Michael Stanley
APRIL IS THE CRUELLEST MONTH, 2019
BOOK LAUNCH | ANEDUCATION DOCUMENTA 14
Kostas Tsioukas, Giselle, 2019
I’LL OPEN THE DOOR STRAIGHT, RIGHT STRAIGHT INTO THE FIRE, 2019
PHILLIPS X VO CURATIONS PRESENTS PERFUME OF THORNS, 2019
The Enigma of the Hour: 100 Years of Psychoanalytic Thought, 2019
A NIGHT AT CINE PERAMA
Nikos Mantzios, Joseph Stokes, The snake that bites its tail, 2019
MOTIONS OF THIS KIND: PROPOSITIONS & PROBLEMS OF BELATEDNESS
Cubitt Curatorial Fellowship - Louise Shelley, 2018-2019
THE DRAWING ROOM | ANNOTATIONS 6
MY JOURNEY AND OTHER STORIES
REPRESENTATION
NURSERIES OF THE UNCONSCIOUS. DESIRING-PRODUCTIONS AND GROUP FANTASIES, 2019
Bed Manners
Guy Zagursky, Power Factor (cos φ), 2019
VIRGINIA MASTROGIANNAKI | READING IN / READING OUT, 2019
GASWORKS INTERNATIONAL RESIDENCY PROGRAMME FOR FILIPINO ARTISTS: CIAN DAYRIT, 2019
Sanja Ivekovic, Red Star Fear Not, 2019
Speakers for Schools, 2019
fig-futures
Outset Teen Tours supported by Mishcon de Reya
The Outset/GAC TenTen Acquisitions Fund
Timm Rautert
'Meeting points': Outset lectures and workshops for students, artists and curators, 2017-2019
International Curators Forum, Diaspora Pavilion II, 2019
Dora Budor, 'I am Gong', 2019
Imran Perretta, The Destructors, 2019
DESIGNLAB NATION, 2019–2020
The Constituent Museum: Collecting Relations and the Transformational Potential of Arte Útil, 2018-2024